| AUSSTELLUNG | EXHIBITION | |
| 40 Jahre Paul Pozozza Museum Eröffnung am 8. Mai 1984 (also vor Tagen!) Fürstenwall 104 Düsseldorf Foto: J. Breitkopf  |
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| Lichtfäden Ausstellung 29.02.2024, Paul Pozozza Museum, Düsseldorf  |
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2023 Rhizom 6: Fotos | Video |
2023 Rhizom 6: Photos | Video |
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| 2023 Am I Your Type? Über Kunst und Text Curatorin Deanne Sole Marjorie Barrick Museum of Art at the University of Nevada, Las Vegas USA |
2023 Am I Your Type? About Art And Text by Curator Deanne Sole Marjorie Barrick Museum of Art at the University of Nevada, Las Vegas USA |
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March 14 - July 8, 2023 |
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| 2022/23 50 Jahre Galerie 72 1972 - 2022 Chelm Polen |
2022/23 Gallery 72 50 Years of Shaping The Space for Art 1972 - 2022 Chelm Poland |
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| 2021 -2022 COVID Covideration: J. Lohmann (Malset) Joop Greypink (Aktion und Video) |
2021- 2022 COVID Covideration: J. Lohmann (Hardware) Joop Greypink (Action And Video) |
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Herzliche Einladung zur Ausstellung Materialismus- Methamorphose
in der Schaalseegalerie in Dargow mit den zur Zeit üblichen Vorkehrungen vor Ort
http://www.schaalsee-galerie.de/
und
hier mit der online geführten Tour durch die Ausstellung:
https://artspaces.kunstmatrix.com/de/exhibition/6544764/materialismus
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 Website Jean Paul Sidolle |
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| Die Sprache des Materials Kunsthalle Viersen Eröffnung 16 September, 12:00 Uhr Einladung ▸ |
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| OBRAZ-OBIEKT The opening of the show will take place next Friday 23 February at 6 p.m. |
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Liebe Freunde der Kunst!
Unsere Ausstellung MATERIALLISMUS geht am 30. September zu Ende. |
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Julia Lohmann– 14.03. – 23.04.2017 aktuell im "Kunstfenster" Reformhaus FREYA Frankfurter Filiale Schweizer-Straße 18 Unter dem Motto "Kunst trifft FREYA" wird dieses Fenster in regelmäßigen Abständen ausgesuchten Künstlern und Künstlerinnen zur Verfügung gestellt. (kuratiert von Horst Noll) |
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 Grundfarben, Rotgelb-grüngelb / Basic Colors, Redyellow-greenyellow |
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| Galerie Shia Bender Ausstellung Julia Lohmann ab 3. Juni 2016  Galerie Shia Bender, Graf-Adolf-Strasse 49, 40210 Düsseldorf • www.galerie-shia-bender.com |
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| In der Ausstellung KÜNSTLER DER GALERIE sind aktuell im Februar/März 2016 8 Bilder aus 1984 -2014 von Julia Lohmann zu sehen  galerie hölz schwanenhöfe erkrather straße 228 40233 düsseldorf fon 02 11 54 24 10 54 fax 02 11 54 24 10 55 galerie@christine-hoelz.de öffnungszeiten: dienstag – freitag 12 – 18 uhr samstag 12 – 16 uhr und nach vereinbarung galerie-hoelz.de/schwanenhoefe/aktuell_n.html |
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Julia Lohmann
drehen 2006, Tusche auf Chinapapier und Schleiernessel |
Eröffnung Samstag, 13. Juni 2015, 17 Uhr Galerie der Buchhandlung Böttger http://buchhandlung-boettger.de/site/
Parallel ist noch bis 5. Juli im LVR Landesmuseum Bonn die Ausstellung Julia Lohmann "Rote Kammern" zu sehen. |
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| Rote Kammern im Rheinland, General-Anzeiger Bonn v. 13.6.2015 | ||
| AUSSTELLUNG | EXHIBITION | |
Rote Kammern
14.6.2015 Ausstellungsreihe 'Szene Rheinland': Rote Kammern im Rheinland | GABonn
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noch bis zum 19. dezember 2014 |
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15. Juni 2014, 12:00-14:00 Uhr, Open studio, Atelier 3
Künstlerhaus Edenkoben
hin und her |
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Freitag, 25. April 2014, 19.00 Uhr Ateliergespräch, Künstlerhaus Edenkoben
Julia Lohmann, derzeitige Stipendiatin des Künstlerhauses im Gespräch mit Dr. Beate Reifenscheid-Ronnisch, Direktorin des Ludwig Museum im Deutschherrenhaus, Koblenz
"...und Flugzeuge drüber." (Hans Thill)/ "...and airplanes above"(Hans Thill), 2014, Tempera/Aluminium, 45 x 400 x 25 cm
Julia Lohmann arbeitet im Bereich von Malerei und Skulptur, gelegentlich begleitet von Video. Sie begreift Malerei immer in ihrem raumbezogenen Kontext. Dazu nutzt sie als Trägermaterial Aluminiumplatten, die sich wie skulpturale Gebilde formt, teils mit Faltungen und Knicken, so dass Kontinuität und Diskontinuität in der horizontal gestreckten Fläche bereits angelegt sind. Durch wenige Farben, meist minimiert auf zwei Farbkontraste, suggeriert sie Landschaftliches und zugleich einen Bewegungsfluss, der an filmische Sequenzen erinnert. Licht und Schatten und das Reagieren der Farben darauf steigern dieses "filmische" Wahrnehmen ihrer Werke. Somit erzeugen sie die Illusion von Landschaft und Bewegtheit, ohne diese selbst wirklich einzulösen, da sie
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| AUSSTELLUNG | EXHIBITION | |
Einladung zur Ausstellungseröffnung
Atelier Lohmann, Photo: MCP Marcel Hardung
Galerie Grashey Eröffnung am 21. 1. 14, 19 - 21 Uhr |
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Einladung zur Ausstellungseröffnung
Even during the most brutal and frightening periods of the twentieth century, borders within Europe were porous, areas of bridge-building – if not physically, then at least morally, intellectually and spiritually. Great artists and intellectuals expressed these bonds through their refusal to obey prohibitions and totalitarian orders. They provided their resistance with manifest form by maintaining contact in spite of and beyond the limits of opposing camps in times of war, by establishing networks of thought and maintaining their work. Horrifying traces were left behind in the landscapes of our cities and in our consciousness; however, these should not be permitted to obscure the fact that a creative force is at work in establishing a unified Europe of thought, a project that remains 'under construction'. THE PROJECT Vincent Barré, Richard Deacon and Julia Lohmann have each already buttressed their own work through contact with fellow artists and realised collaborative projects. These have taken the form of collaborative projects, collective works and also professional residencies, buttressed through teaching and cooperation between professors. This has led them to develop this project in the form of a collaborative idea and also to recommend and invite additional artists. The fundamental idea is that these artists and their works be closely related conceptually and that they base themselves on a common concept of a deep-rooted history and a consciousness of the questions repeatedly raised by modernism. They have invited three older artists to take part in this dialogue. These artists' lives and work run across the twentieth century and are unquestionably exemplary: Olga Jevric, Judith Reigl and Artur Brunsz. Three younger artists, who have also involved themselves in the political and social dialogue, have likewise joined them: Mrdjan Bajic, Silke Helmerdig and Marc Herblin. These nine artists come from six European countries – Germany, England, France, Poland, Serbia and Hungary – and more than a few of them work not exclusively in their native countries, but live and work in other cities instead: Belgrade, Berlin, Düsseldorf, London, Nantes, Paris and Warsaw. Considering their diversity in terms of geography, as well as that caused by their belonging to different generations, these artists are united by their closeness, their voluntary community. They often utilise the structure of pairs in dialogue to maintain this community – specifically in a form of relationship where personal history and admiration for the work of the other as well as mutual assistance and shared experiences are intermingled. These are also elements that shape and define the exhibition. The artists express themselves on completely different 'wavelengths', which simultaneously reflect the mood and the attitude towards life of the twentieth and twenty-first centuries. To this extent, they provide the starting point for the dialogical relationships that result – sometimes very consciously reacting to one another, but sometimes also more indirectly. Giving visible form to all of this will be a challenge to the artists and the curators at each location. Connections can surely be made between the large-format abstract – and occasionally also figural – painting of Judith Reigl and the constructive works of Arthur Brunsz. Likewise, in their own way, Olga Jevric's sculptures made up of an ensemble of smaller works in iron and cement (planned loans from the Belgrade Heritage Houses) are related to Richard Deacon's models of a communal project for the bridge of Kalemegdan in Belgrade as well as to the works of Mrdjan Bajic and to Vincent Barré's cast sculptures. In addition, Marc Herblin's installation – which was developed specifically for the project and is itself also based on a concept from the field of sociology – is indirectly related to Julia Lohmann's works and to the social-critical observations that Silke Helmerdig has captured on b/w photo paper. In the exhibition, the autonomous works can be arranged according to their inner relationships and their interconnections made palpable through their counterparts. These interconnections also point to the affinities between their creators, which simultaneously indicate successful phases of cooperation (see the CVs) and display a coherency that is to be posited and demonstrated in the invariably distinct nature of the museum locations and spaces. For this reason, the catalogue created to accompany the show will not only represent the works, but also incorporate the reflections of the curators and a discussion between the participating artists about their own history and their idea of a transmission that has allowed all of them to develop their own artistic personas. Substantial space will also be occupied by the conceptual idea regarding the "quality of the shadow", which all of the artists have taken up and developed on their own, and truly throughout their entire work – despite that occasional loneliness or those intimate relationships that diverse, sometimes indispensable, circumstances have burdened them with, and through which they have maintained this idea in spite of all hardships. It is not rare for them to have been supported by the discreet solidarity of other artists while creating their work. A text by a young art historian will complete this reflection on the paths of creativity. |
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Nice, 2012
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| AUSSTELLUNG | EXHIBITION | |
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Blätterwald oder Die Quintessenz des Buches
Dauer: 30. März bis 01. Juni 2012 Öffnungszeiten: Dienstag – Freitag 14:00 h – 18:00 h und nach Vereinbarung Ort: Deutscher Künstlerbund – Projektraum Rosenthaler Straße 11 | 10119 Berlin Telefon: +49 (0) 30 26 55 22 81 |
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Cityscale Eröffnung 13. September 2011 |
Cityscale Opening 13 september 2011 |
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Eugenia P. Butler´s Kitchen Table Gespräche von der LA/Art Fair 1993 in Los Angeles werden in Auszügen gedruckt in einer Folge von Heften der X-tra Contemporary Art Quarterly. |
Kitchen Table Talk No 4 in X-tra Contemporary art quarterly June Edition 2011 |
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